2012 | Museu Calouste Gulbenkian. All rights reserved

The aesthetic value of Greek painted pottery


The aesthetic value of Greek painted pottery has been recognized by J. J. Winckelmann in 1764. Not many years later, in 1772, the English Parliament acquired Sir William Hamilton's collection for the British Museum, which became the first museum to display this kind of art. Other countries followed this example, from France to Russia, from the Vatican to Germany, from Greece to the United States.

But there are other reasons as well for praising the value of Greek vases , the first being that they help us to reconstruct most of the history of painting, since only a few examples from the seventh and sixth century BC on clay tablets or marble slabs have been recovered up to now. All we know are the names of the greatest painters from Polygnotus to Apelles. There is also a careful description by Pausanias of the great wall painting by Polygnotus in the Lesche of the Cnidians in Delphi.

Other fields besides the history of painting may profit from the study of Greek vases. one of them is trade, since archaeologists have found specimens not only near the mouths of large rivers but even far away from them, and this is happening not only around the Mediterranean .

A thing of beauty is a joy for ever

John Keats, Ode on a Grecian urn


Kalix-Krater

  • 26-03-2012 | Escrever qualquer coisa | museu

    This is a famous vase in the free style, about 440 BC, found at Agrigento, Sicily, and assigned to the Coghill Painter by Prof. Sir John Beazley after the name of its first owner. From the Coghill Collection, it came to the Hope Collection, whence, after the great auction sale in 1917 at Christie's, it became the possession of Calouste Sarkis Gulbenkian, who kept it in his Paris home, along with other precious antiquities. In 1958, the vase came to Portugal together with many other works of art from the Gulbenkian Collection, and was stored in a palace acquired by the Gulbenkian Foundation in Oeiras (near Lisbon) until it was transferred to its present location, when the Gulbenkian Museum opened in 1969.


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The rape of the Leucippidae


Leucippus, a rich landowner in the Peloponnesus, had three daughters, two of which, Phoebe and Hilaeira, were cousins of the Dioscuri, Pollux and Castor, and also of the sons of Apharaeus, king of Messenia, Idas and Lynceus. According to one version of the myth, both of the latter were engaged to the Leucippidae, when the Dioscuri abducted their brides and a violent fight ensued, causing the death of Castor. Out of desperation for the loss of his brother, Pollux supplicated from his father, Zeus, that the same destiny may be granted to him.

The supreme god tells him that only Pollux is his son and, therefore, immortal. So there is only one alternative left for the two brothers: that both of them spend one day in Olympus and the next under the earth. This is the choice of Pollux. With this testimony of supreme brotherly love ends Pindar's Xth. Nemean Ode. As to the rape of the Leucippidae, it is told in part two of Theocritus' Idyll XXII. The same subject inspired, besides other poets, several vase painters.











Shapes of the vases – Glossary

alabastron: for perfumes and olive oil

amphora: to keep and transport wine and olive oil

aryballos: for perfumes and olive oil

calyx-krater: to mix water with wine of high alcoholic content

hydria: to keep and transport water

kantharos: to drink wine

bell krater: to mix water with wine of high alcoholic content

volute krater: to mix water with wine of high alcoholic content

column krater: to mix water with wine of high alcoholic content

stemless kylix: to drink wine

kylix: to drink wine

lebes gamikos: wedding vase

lebes: originally to warm the water, but progressively for ritual ablutions or as gifts to athletes

squat lekithos: para os atletas se ungirem e para as oferendas funerárias

lêkythos: for athlete anointments and as funerary gifts

loutrophoros: wedding vase, as water vessel during wedding rituals

oinochoe: to serve wine

pelike: to keep and transport wine and olive oil

psykter: to mix water with wine of high alcoholic content

pyxis: for cosmetics or jewels

skyphos: to drink wine

stamnos: to keep and transport wine and olive oil

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Outras áreas além da história da pintura podem beneficiar do estudo dos vasos gregos. Uma é a do comércio, uma vez que os arqueólogos encontraram espécimes, não só perto das embocaduras dos grandes rios, mas mesmo longe delas,



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Outras áreas além da história da pintura podem beneficiar do estudo dos vasos gregos. Uma é a do comércio, uma vez que os arqueólogos encontraram espécimes, não só perto das embocaduras dos grandes rios, mas mesmo longe delas,



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Outras áreas além da história da pintura podem beneficiar do estudo dos vasos gregos. Uma é a do comércio, uma vez que os arqueólogos encontraram espécimes, não só perto das embocaduras dos grandes rios, mas mesmo longe delas,